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MCs & Hosts

How to Hire Emcee Talent in Indonesia

A lavalier microphone on a stand in an empty room, with no people in frame

To hire emcee support for a corporate event in Indonesia, start with the job rather than a reel. An emcee, MC or host is the person who makes the programme understandable while it is happening: who is next, how long they have, and what the room should do. Bali and Jakarta are the cities this directory covers. Fees are on request and depend on the date, the hours, the languages and whether the host writes the script.

The steps are ordinary and easy to skip. Write the brief, shortlist from profiles, check language and the kind of event, confirm availability, then prepare one run of show. Send that through the request form. Profiles on MCs and hosts do not publish personal phone numbers, email or social accounts. Speakers, if you also need a talk, are a separate list at speakers.

Write the brief before you hire emcee support

One document is enough. Name the event, the date, the city, the venue and the audience. Say the languages people actually use when they need an instruction. Say whether the day is a town hall, a gala, a launch, a conference or a mix. Attach the order if you have it, even as timings without adjectives. Mark who will be named and which lines must be said verbatim.

Say what the host is not. Not the keynote, not the interpreter for a technical paper, and not the person who decides a business point from the stage. If you need those roles as well, list them. A brief that only says “energy” or “international standard” cannot be matched to a person. A brief that says “Bahasa and English, awards after dinner, host writes the links” can.

Shortlist from profiles

Read for languages, base city and the kinds of programmes listed. A conference host and a gala host are not interchangeable just because both can hold a microphone. Note whether the person is based in Bali or Jakarta or would be travelling in. Travelling changes the call time and should be in the request, not discovered on the day.

Shortlist two or three against the brief, and say how they differ: one language or two, one evening or a full day, ceremony or a tight conference clock. The agency can then say who is free. Do not collect personal contacts from elsewhere and treat that as the booking path. Enquiries for this site go through the agency.

Check language and experience fit

Language fit is concrete. If the room works in Bahasa Indonesia, the host should be able to run the instructions in Bahasa Indonesia, not only greet in it. If the leadership speaks English and the floor does not follow every line, the lines people must act on are said in both, in a fixed order. A third language is a further brief, not a flourish.

Experience fit is the type of room, not a count of events and not a list of famous clients. Ask, through the agency, whether the person has hosted the kind of programme you are running: awards, a panel handoff, a product reveal, a town hall. Ask who writes the script. Ask what they do when the next speaker is missing. The useful answers are procedural. Charm without a method is how a day becomes a long introduction.

Confirm availability and proposal

Hold the date before the creative is finished. A confirmation is availability plus scope: hours, languages, rehearsal, and whether scriptwriting is included. The proposal comes back from the agency. Nothing on a profile is a rate card. The fee is on request and it changes if you add a language, a second room or a rehearsal you did not mention.

Read the proposal against the brief rather than against a hope. If the host is confirmed for the evening show only, do not also expect them in a morning plenary. If rehearsal is not in the hours, do not schedule one on the morning and assume it is covered. Put the boundary in writing before invitations go out.

Prepare the run of show

Turn the order into words that can be said aloud. Welcomes, housekeeping that matters, introductions, transitions and the close. Keep each line shorter than a speech. Add phonetic notes for difficult names. Mark what can be cut if a speaker overruns. Share that document with the host and, if you have them, with interpreters, so the frame and the content are not invented separately.

  • One run of show with durations.
  • Names, titles and approved translations.
  • Language order, and lines said only once.
  • Authority to shorten if the plan slips.
  • Call time, dress, entrance and the on-site decision maker.

Walk the open and one transition before the day. On the morning, reconfirm late speakers. Then the host can do the job you hired them for. If you are ready to hire emcee support for a Bali or Jakarta date, send the brief in the request. The agency confirms availability and sends a proposal. The host’s own contacts are not part of the page.

Keep the confirmation and the run of show in the same thread as the request, so a producer joining late is not working from a different order. If the event is in both cities, or the host is also asked to moderate one session, write those hours separately. A yes to the gala is not a yes to the next morning’s panel. The agency can only propose a fee for the scope you actually described.

FAQ

What is the difference between an emcee, an MC and a host?

On this site they are the same role: the person who runs the frame of the event. A moderator runs one discussion. A speaker delivers a talk. Brief the role you mean.

Can we hire someone for both Bali and Jakarta?

Say both cities and both dates in the request. Travel is part of the scope. Do not assume a person based in one city is free for the other.

What should the brief include?

Date, city, venue, audience, languages, the type of event, and the run of show if you have it. Fees are quoted on request from that scope.

Why are there no prices on the profiles?

Fees are on request. They depend on the date, hours, languages and whether scriptwriting and rehearsal are included.

Planning an event in Bali or Jakarta?

Request a speaker